For years now, I’ve been documenting Caroline’s life so she can read about her childhood when she gets older. It started with a baby book, which went up to age six. I was pretty faithful about filling in the many blanks, but somewhere in the house, there’s a plastic baggie full of baby teeth that still need to be taped inside. Baby teeth are the height of creepiness and sentimental value, am I right?
When she entered school, I started storing her ephemera in file folder boxes – artwork, Christmas concert programs, report cards, photos. This year, however, was different. She finished sixth grade, partly remote, partly in person, fully indifferent, and all she got was this lousy t-shirt. But seriously, there were only two keepsake items: a dance recital program and a certificate marking her confirmation at church. Soon, I’ll drop her vaccination card in the folder and call it a year.
Not long ago, there were times when I felt overwhelmed by the sheer volume of “artwork” coming home from school and church. I tried not to feel guilty as I buried papers in the recycle bin, hoping their absence would go unremarked. But today, with zero artwork and not a poem about poop (or any other topic) in sight, I feel a bit let down.
I keep these records with an eye to the future, imagining looking through the file boxes together someday, laughing at the letters she wrote us begging for a cat, cooing at the sweet little handprint turkeys.
FYI, handprint art is a genre unto itself. Preschool teachers have handprint craft ideas up their sleeves for every occasion, Juneteenth and Tax Day included.
Alas, we are way beyond the era of handprint art, but grimy fingerprints on phone and iPad screens remain. While I’m trying to wean myself from writing too much about Caroline these days – she deserves the chance to tell her own stories – I will continue to document her days, as my mom documented mine.
A couple years ago, my parents cleaned out their attic and brought me a wicker trunk and large plastic tote filled with my life – yearbooks, artwork, beloved toys, and more. I don’t know what to do with it, but I see it as a symbol of Mom’s pride in me. It represents what she thought I’d want to remember – the poems I wrote, the pom-pons I shook, the proof that once upon a time I was a Sparta High School mathlete.
Because of this special kind of mother-love, I was struck by a passage in Michelle Zauner’s book Crying in H Mart when she comes across the ephemera of her childhood her mother had kept: “She was my champion, she was my archive. She had taken the utmost care to preserve the evidence of my existence and growth, capturing me in images, saving all my documents and possessions. She had all knowledge of my being memorized. The time I was born, my unborn cravings, the first book I read” (223).
The author’s mother had died, sadly, but this collection of childhood memorabilia would serve as a sort of identity guide in her adulthood: “Now it was up to me to make sense of myself, aided by the signs she left behind.”
Here’s the zinger sentence: “She observed me with unparalleled interest, inexhaustible devotion” (223). Yes, I know something of that devotion, and I acknowledge how very blessed I am.
Next school year, I hope for band concerts and photos with full facial nudity (that is, no masks), but whatever the future brings, I’ll be standing by with my file boxes ready to archive her one wild and precious life.
-Em : )